Showing posts with label communion. Show all posts
Showing posts with label communion. Show all posts

Friday, February 21, 2014

Psalm 90

General Information:

Liturgical Uses:
  Responsorial psalm, offertory or communion song, All Souls, end of liturgical year

Refrain:
"In every age, you have been our refuge. You have been our God."          
                             







Verses:                         
1) Your word can turn us to dust, saying: "Return, O children, to earth."
You take them as they sleep,
Then by morning they rise like the grass,
But by evening they wither and fade.

2) Teach us to number Your days, that we may learn Your wisdom.
For a thousand years to You, O Lord, are like the passing of a single day,
Or the passing of one night.

3) Fill us with Your kindness at daybreak,
And we will rejoice all our days.
May your gracious care be ours.

Arrangement:

Vocal:                           
Refrain:  SAT choir
Verses:   Cantor    

Instruments:             
Acoustic guitar, piano, bass with synth      

Availability:

Sheet Music:             
Lead sheets for each of the 3 refrains.
Order from Wood Harbor Music

Recorded Versions:

Video:       New Dawn Concert, May 20, 2011     [link to be added]

CD:            Praise for the New Dawn, Vol. 1   
Order from Wood Harbor Music.
Digital download available at CD Baby.
Listen on YouTube at Spotify!





Composer's Notes:

Psalm 90 is a personal favorite, particularly in the fall, around All Saints/All Souls days.  In the fall, the changing foliage is a brilliant reminder of dying, while in the Liturgy, the readings start to speak of the end times.  I often take a walk through nearby Mt. Auburn Cemetery to spend time with the beauty of the season and remembering the transitory existence that is our life here on earth.
All Souls Day at Mt. Auburn Cemetery,
Cambridge, MA

The psalm speaks to our transience: “teach us to number our days that we may learn your wisdom.”  Yes, our days are numbered but we must embrace this transitory existence and not be afraid of or obsessed with our eventual death.

The Psalm continues “for a thousand years to you……is like the passing of a single day,” contrasting the eternal nature of God to our brief existence, with an understanding that time can be experienced differently, something that would be embraced in Einstein’s special relativity centauries later. Our lives pass in snippets of time, maybe a century at most, yet God spans the centuries (“por los siglos de los siglos,” como se dice in EspaƱol).

The intentionally spacey arrangement, begins with a piano improvisation, and employs some odd meters in the verses, particularly a stretch of 5/4 measures in the second verse.  The stretch of time is like our attempts to make the most of the time we have, trying to stretch things out just a bit.
  

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Tuesday, July 9, 2013

Psalm 25

General Information:

Liturgical Uses:
  Responsorial psalm, psalm for Advent season, offertory or communion song.

Refrains:       Three versions of Psalm 25, each with a different refrain, are found in the Lectionary.  Settings for each of the 3 versions are available.

                  
1)  “To you, O Lord, I lift my soul.”
©2006 Rachel J. Burckardt. All Rights Reserved.
                                
2)  “Your way, O Lord, are love and truth to those who keep your covenant.” 
©2006, 2009 Rachel J. Burckardt. All Rights Reserved.
3)  “Teach me your ways, O Lord, my God.”
©2006, 2009 Rachel J. Burckardt. All Rights Reserved.

Verses:                            
The verses are the same for each of the three refrains:

1) Your ways, 0 Lord, make known to me;
Teach me your paths
Guide me, teach me, for you are my Savior.

2) Remember your compassion, Lord, and your kindness of old.
Remember this, and not my sins,in your goodness, 0 Lord.

3) The-Lord is good and just; the sinners know the way.
God guides the meek to justice, and teaches the humble.  

Arrangement:

Vocal:                             

Refrain:  unison
Verses:   Cantor    

Instruments:                
Piano with guitar and bass 


Availability:

Sheet Music:                

Lead sheets for each of the 3 refrains.
Order from Wood Harbor Music

Recorded Versions:


Video:       Click here        
CD:          You Are My Inheritance 


Composer's Notes:
The setting is intentionally simple and peaceful.  The cantor can simply sing the lyrics and it provides the intended result.

The end of each verse has a descending line, suspended over a C pedal, with half notes in the piano part that begins in unison with the cantor, and descends to the 3rd of the dominant which sets up the tonic on the first beat of the refrain.

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Psalm 23

General Information:

Liturgical Uses:
  Responsorial psalm, communion, themes of Jesus, the Shepherd

Refrain:      
“The Lord is my shepherd; nothing shall I want.  Fresh and green are the meadows where God leads me”            

© 1992 Rachel J. Burckardt.  All Rights Reserved.










Verses:     
1) By restful streams, God lead me refreshing my soul.
In fresh green meadows I wander, where I find rest.

2) Though I walk through the shadows of darkness, I need not fear.
God will lead me in safety through danger, safely to home.

3) God will prepare a table where I will feast.
Only goodness and kindness will follow, throughout my days.

Arrangement:

Vocal:                             

Refrain:  SAT choir
Verses:   Cantor  with Alto and Tenor harmonies  

Instruments:                
Piano with guitar and bass, plus synth and flute

Availability:

Sheet Music:                

Lead sheet with choral harmonies.
Order from Wood Harbor Music

Recorded Versions:
Listen at YouTube

CD:  How Long, O God

Order from Wood Harbor Music






Composer's Notes:
My approach to composing a setting for perhaps the most well-known of the psalms was to set the refrain simply, with confidence, and a touch of entitlement.  If we truly believe in God and God's care for us, we can feel confident that "God will lead me in safety through danger" and entitlement "Though I walk through the shadows of darkness, I need not fear."

The first verse sets up the peacefulness of the text by a slow melody supported by sustained A minor 9th chord.  The melody arpeggiates up, from the 5th to the 7th to the 9th.  The second half of the verse switches from the minor 9th to the A major 9th, with the raised 3rd reinforcing the sense of confidence.

The second verse starts on the same chord, but the melody is sped up, as one's heartbeat and pace naturally speeds up when in a place of danger.  Again, the first half is in minor, while the second half shifts to major, with the confidence that "God will lead me in safety."

The 3rd verse mixes the two settings, starting with the slower melody in minor, and ending with the faster melody in major.

The second verse adds an alto harmony, while the 3rd voice includes both alto and tenor harmonies.

While the liturgical score includes a SAT refrain (with the alto at times singing above the melody), the recording  for How Long, O God included a double choir with 2 sets of harmonies.

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Psalm 16

General Information:

Liturgical Uses:
  Responsorial psalm, offertory or communion song.

Refrain:      
"You are my inheritance, O Lord"       
© 2012 Rachel J. Burckardt.  All Rights Reserved.







Verses:                            
1) O Lord, my allotted portion and my cup, it is you who holds fast my lot.
I set the Lord ever before me;
With God at my right hand I shall not be disturbed.

2) Therefore my heart is glad and my soul rejoices;
My body abides in confidence;
Because you will not abandon my soul;
Nor will you suffer your faithful one.

3) You will show me the path of life,
And the fullness of joys in your presence,
The delights at your right had forever, forever.

Arrangement:

Vocal:                             

Refrain:  Unison
Verses:   Cantor    

Instruments:                
Piano with guitar and bass

Availability:

Sheet Music:                

Lead sheet.
Order from Wood Harbor Music

Recorded Version:

See the video on YouTube!
CD:  You Are My Inheritance

Composer's Notes:
To be added.

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Saturday, June 29, 2013

Psalm 19

General Information:

Liturgical Uses:
  Responsorial psalm, offertory or communion song.

Refrains:       Three versions of Psalm 19, each with a different refrain, are found in the Lectionary.  Settings for each of the 3 versions are available.


1) "The precepts of the Lord are joy to the heart."            
© 2009 Rachel J. Burckardt.  All Rights Reserved.
                               

2) "Your words, Lord, are spirit and life."
© 2009, 2010 Rachel J. Burckardt.  All Rights Reserved.
                                             
3) "Lord, you have the words of everlasting life."
© 2009, 2010 Rachel J. Burckardt.  All Rights Reserved.









Verses:                            
The verses vary for each of the three versions.  

Arrangement:

Vocal:                             

Refrain:  SATB choir
Verses:   Cantor    

Instruments:                
Acoustic guitar, piano, bass with flute, violin, cello & synth      


Availability:

Sheet Music:                

Lead sheets for each of the 3 refrains.
Order from Wood Harbor Music

Recorded Versions:

Videos:       New Dawn Concert, May 20, 2011     
[link to be added]
                  On YouTube

CD:            Praise for the New Dawn, Vol. 1   

Order from Wood Harbor Music
Digital download at CD Baby.
Listen on YouTube or at  Spotify!






Left to right:  Giancarlo Geltrin, lead vocals; Ellen Angelica, guitars; Petr
Specek, cello; Dave Buerger, bass; Levin Valayil, flute; Sue Buzzard, violin




Composer's Notes:


Verses 8 through 12 of Psalm 19 speak of God revealed through God’s laws.  God’s decrees are seen as perfect, enlightening, pure, enduring, and just.  The setting presents the text is a melody that is very measured in the pitches employed, requiring the cantor to present the text with reserved awe.


The introduction, employing the 2nd inversion of a d minor 9th chord leads to an equally simple refrain built on a narrow range of 6 scale tones and only two chords.  The arrangement includes the wonderful noodling of Petr Spacek, an incredibly talent cellist and New England Conservatory grad, plus two Berklee alums, Sue Buzzard, violin, and Levin Valayil, flute. 
Giancarlo Geltrin, also a Berklee grad, is the cantor.

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Sunday, June 9, 2013

Psalm 34

General Information:

Liturgical Uses:
         Responsorial psalm, communion song.


Refrain:                          
"Taste and see the goodness of the Lord."






Verses:                          

1) I will bless the Lord at all times
God's praise shall e'er be in my mouth.
Let my sould glory in the Lord;
the lowly will hear and be glad.

2) Glorify the Lord with me;
Let us together priase God's holy name.
I sought the Lord who answered me,
And delivered me from all my fears.

3) Look to God that you may be radient with joy,
And you face not blush with shame.
When the aflicted called to God,
God heard and saved them from all distress.

Arrangement:

Vocal:                       

Refrain:  Unison congregation and choir with descant
Verses:   Cantor    

Instruments:             
Harpsichord (or piano) with 2 recorders & oboe     

Availability:

Sheet Music:             

Full score; full score (through-composed)  
Order from Wood Harbor Music

Recorded Versions:

Video:       New Dawn Concert, May 20, 2011    Taste & See on YouTube 


CD:           Praise for the New Dawn, Vol. 1


             
Composer's Notes:

The inspiration for this setting of Psalm 34 is a song from a 16th century sacred Christmas carol titled Gaudetee.  This setting and the instrumentation are influenced by the renaissance style of Gaudete.  But then I inject this piece with modern pop reharmonizations in an unstable rhythm of ever-changing meter.  Witness the melody for Verse 1:
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5ED6Z1xLRWCwctgn399yx6NRT0iKo9MoktjYwaUJtaIMLODR4yERq2HdY5sD9o8qSbpY_OgYSPZlVqIbd9mT7TJ_qenopXv29y-8yo0mubfPFvytLFoIo0DB_CamAoxEPysOv6e5ibn4/s400/Ps034-Vs1.png
© 2006 R. J. F. Burckardt

Yet, despite the unsettled rhythm, the melody aligns well with the text and is surprisingly easier to sing than it looks!  (Well, at least for me and John Paul Casiello, who was undaunted and nailed it when we first used it for the responsorial psalm at St. Cecilia’s.)


https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWZuHF5uCM-R5M8YKY8bpU_VFAI_-n5h2fGsGcQEV57rt4gtMUsSX7JUkBY_Nf9s0eTTfC3JTQi9-eeBdkytr0sEzdmSFqAedwqzHfrfikatZSQEnJxI2o30DugghksfoCR5zxkKf6ToU/s200/JP-Taste%252BSee.jpg
John Paul Casiello singing Psalm 34 
at St. Cecilia Church, in the New Dawn
Concert, May 20, 2011.  Rachel 
J. Burckardt on keys (harpsichord).
In this recorded version, I chose further temporal bashing by using the midi files from the score to drive the renaissance instruments (harpsichord, recorders, oboe).  But, the tambourine is real!

But, if you’re saying “Ah, you used midi because no one can play that,” I must say “Not true.”  We have used it as the responsorial psalm at St. Cecilia’s, with our music director, Richard Clark playing the accompaniment on piano. That was the debut. A few years later, I played the harpsichord part live on a synth for the pre-release concert. [video to be added]  It is easier than it looks!

Why does the shifting meter seem normal to me.  I can’t dance! (And I’m proud of it!)  Shifting meter is simply normal to me.

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